A review of Bruce Cockburn’s Slice O Life (Live Solo) (2009) A lovely and complex CD this, Bruce Cockburn‘s first live album of just him and his guitar. Recorded in 2008 at a variety of shows, this is a strong … [read more]
A review of Eric Clapton’s 461 Ocean Boulevard (1974) I don’t really remember where I first got this, just that I first heard it when I was a teenager. Prior to this, I had only read about Clapton – the … [read more]
Leonard Cohen in 2008 by Rama. This Christmas, music took a strange turn towards the democratic, at least in the UK. And it did so in a fairly unexpected way: not in iTunes or because consumers voted with their credit … [read more]
A review of Depeche Mode’s Violator (1990) It’s hard to remember, from today’s perspective, just how powerful Depeche Mode’s Violator was when it came out in 1990. It neatly, elegantly bridged the gap between punk and mainstream pop while at … [read more]
A review of David Bowie’s Heathen (2002) Released in 2002, this is – for me – Bowie’s most satisfying record of the 2000s so far. It demonstrates what rock can sound like today – well-produced, full, dense, interesting, full of … [read more]
A review of Calexico’s Carried to Dust (2008) And while I’m busy clearing the backlog of “CDs I must mention on my blog,” here’s a definite contender for 2008 Record of the Year. Calexico is an Arizona-based outfit that makes … [read more]
A review of Lambchop’s OH (Ohio) (2008) Despite the recording industry’s continuing contraction (not unlike the financial system’s), the world is full of beautiful music that’s worth hearing. One result of the long tail economy has been that there’s so … [read more]
A review of Ben Harper’s Lifeline (2007) Ben Harper plays a stylish blend of rock, reggae and old-style r’n’b, like a subtler, less flashy version of Lenny Kravitz. These are well-crafted, well-rehearsed songs, recorded in just seven days in a … [read more]