Best new music 2019
My 2019 annual write-up of the year’s best new music. I publish this post into the ether once a year to summarize what I’ve particularly liked during the last twelve months, in the hope that you might discover something new.
My 2019 annual write-up of the year’s best new music. I publish this post into the ether once a year to summarize what I’ve particularly liked during the last twelve months, in the hope that you might discover something new.
My listening habits this past year have continued to shift in a decidedly classical direction. Other things—particularly rock—quickly feel like unwelcome distractions now, giving me a kind of ‘instant listening fatigue.’ It’s never just one thing, but often boils down … [read more]
Thought I’d get an early handle on my best-of-the-year list this time around. I’ve blogged surprisingly little about music in 2011. That doesn’t mean that I listened any less, or less attentively. In fact, audio-wise, it was just this past … [read more]
Now that the kind folks from the Vancouver Olympic committee have once again forced them down our collective throats during the closing ceremony of the 2010 Winter Olympics, I was reminded to share my theory about Nickelback. Does Nickelback warrant … [read more]
A review of Dwight Yoakam’s This Time (1993) Even though I had Hillbilly Deluxe and Cadillacs, Guitars Etc. Etc. on vinyl in the 80s and liked them (really, they provided my first ‘country music’ experiences that weren’t related to the … [read more]
Reviews of Joey + Rory’s The Life of a Song and Kasey Chambers & Shane Nicholson’s Rattlin’ Bones “Turn it up loud so we all can sing along,” sings Joey Martin Feek at the beginning of The Life of a … [read more]
Here are two videos from the great Kasey Chambers, an Australian country singer/songwriter. I think hers is one of the most unique voices in music today – both her actual voice, and her songwriting.
A review of Michelle Shocked’s Short Sharp Shocked (1988) Some of the most memorable music from the 1980s, for me at least, stems from this album (and that’s perhaps because none of it sounds like the 80s at all). Michelle … [read more]